Microcrystalline WAX POLISH
|For over forty years,
has been the #1 choice of museums, art galleries and institutions for the preservation of precious items for over forty years.
Professional conservators, retailers, restorers and private individuals throughout the world depend on RENAISSANCE WAX to protect their collections and for in home use.
Polishes and Protects:
Guard your precious pieces against the damaging effects of humidity, heat, dust, environmental destruction, aging and ordinary wear.
RENAISSANCE WAX provides a barrier against fingerprints and the devastation of water, wine, alcohol and other spills. With its high moisture resistance, it forms a durable, lustrous protective coating. Prevents tarnish, corrosion and "bloom;" remains completely waterproof; retards weathering on exteriors and objects exposed to climatic abrasion.
A Little Goes A Long Way --
Restores and Enhances:
SAFE to protect all these Materials:
Wood; raw & finished. Leather, Parchment & Paper. Metal; Silver, Silverplate, Gold, Copper & Copper Alloys (Bronze, Brass, Tin, Zinc, German Silver, Nickel), Lead & Pewter, Iron & Iron Alloys, Tin & Tin Alloys. Damascus; Stone, Marble, Onyx, Limestone, Granite, Brick, Tile, Terrazzo, Obsidian, Alabaster; Gems, Glass, Porcelain, Holloware, Bone, Ivory, Horn, Shell & Mother-of-Pearl, Gutta Percha, Dammars; Gilding & Gold Leaf, Patinas. Enamel, Lacquer, Japanning, Cloute, Pose d'Or, Pique Point, Varnish, Marbleizing, Stains & Artificial Graining. Plastics, Formicas, Paints, Polyvinyl Acetates, Esters of Polymethyacrylic, Polycyclohexanones, Fiberglas Epoxy Resins, and much more!
How, RENAISSANCE Wax,
Prior to 1950, the only polishes available were based on beeswax and carnuba wax. Unfortunately, these natural, saponifiable products could cause damage when acids arose spontaneously through oxidation or hydrolysis. To solve the problem, a consortium of international conservationists directed a scientist from the British Museum to conduct research and find the "perfect wax." When he could not find any that met their exacting standards, he created a new wax in his laboratory. The revolutionary formula he invented is a semi-synthetic microcrystalline fossil-origin wax entirely free of, damaging acids.
It remains chemically neutral and is therefore completely safe, even on vulnerable surfaces.
The British Museum approved manufacture for its own use and for distribution to the public. That "perfect wax" is now available internationally under the name RENAISSANCE WAX.
Who Uses RENAISSANCE Wax-Polish:
UK: British Museum, Victoria & Albert Museum. Royal Armories (Tower of London , London & Leeds, National Army Museum, Imperial War Museum, the Wallace Collection, H.M. the Queen's Royal Armorer (at Marlborough House), the Guards Museum (Wellington Barracks), the Gurkha Museum (Winchester), the Military Museums at Aldershot, Royal Green Jackets Regimental Museum, the Gunsmith at Chatham Historic Dockyard (Kent), the Johnny Armstrong Gallery, and Museum of Border Arms & Armor (Scotland), National Museum of Antiquities of Scotland. Belgium: Musee Royal de l'Armee et d'Histoire Militaire-Brussels. USA: Gunsmith at Colonial Williamsburg, the Smithsonian, Metropolitan Museum of Art, Academy of Art-Honolulu, Texarcana College-Bladesmithing & Metallurgy, Rockfeller Restorations, and many many more institutions around the world.
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